Yann and Rose are young, they love and want to have a child. Nine months later ... still no baby in sight. They then show great imagination and try everything ... no matter what it is. But they wish so hardly to be three that, is not likely they finish all alone?

An affair between an arsonist and a volunteer rural firefighter burns out of control.

In 1534, the legendary Jan van Leyden, an Anabaptist, preaches in Münster, causing Catholics and Protestants alike to defect in droves—especially women. This leads to a bloody power struggle between the Anabaptists, the Church, the nobility, and the citizens, which ends in a long siege of Münster by the prince-bishop Franz von Waldeck.

Deliveryman Jong-su is out on a job when he runs into Hae-mi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return, she introduces to Jong-su an enigmatic young man named Ben, who she met during her trip. One day Ben tells Jong-su about his most unusual hobby.

After her father passes, Lia navigates her striking memories of him and his relationship with her mother. She gently seeks to heal herself despite the increasing pressures of her conflicted grief.

On the run from a New Jersey crime family, two brothers wend their way to Los Angeles, where they make their dream of owning a restaurant a reality. But their life in hiding life becomes complicated when their lives are torn apart by their love for the same woman.

A couple is set in their monotonous life until the husband has a homosexual affair with a young male prostitute. Suspicious of her husband, the wife seeks the truth and eventually ends up in bed with the same young man. Their desire has a new meaning.

A silver screen actress drifts in and out of her character as she longs for the love of her co-star.

DESIRE is a non-chronological collage constructed from a corpus of materials drawn from the genre of melodrama. The work, grounded in the practice of decoupage, spans approximately three decades—from 1932 to 1958—and includes titles from the United States, Argentina, Great Britain, Finland, Italy, Japan, Mexico, and Spain. 　　Desire traces both a diachronic trajectory across time and a synchronic one within time, weaving a particular history of cinema along a temporal axis that is at once specific and archetypal. History itself, though continually shifting in its spatial and temporal configurations, appears to endlessly reproduce the same figures—interpreters who, beyond the specificity of their human and historical identities, seem fundamentally unchanged in gesture, modality, and essence. This recursive logic—an endless slipping and rising, ad infinitum—emerges in the film as a desperate attempt to escape a condition of human existence, here marked as specifically feminine, subjugated by the flow of time as a secularized and systematic machinery of power. 　　The film thus unfolds as an expression of impossibility ab ovo: the impossibility of a total liberation from the archive, understood as archè—sign, origin, and principle. Even when memory is reduced to ashes, the film’s figures wander along the threshold between presence and absence, suspended within the realm of desire.

Mogwai是那種沒有親臨現場，絕對無法感受其完整魅力的樂隊。然而，這部以 2009 布魯克林三天演出實況剪輯而成的影片中，兩位巴黎音樂影像奇葩，卻用了大量特寫鏡頭和高反差黑白影像，精準勾勒其細膩詩意而激昂澎湃的雙重性格，讓濃郁情感透過感官滲入每一個細胞，無論是否為其樂迷，本片都將徹底撼動您對影像詮釋力的認知！